Maziar Behrooz Maziar Behrooz

MB Arch + present a Vision Plan for the Village of East Hampton at Parrish Art Museum

MB Arch + Team presenting its vision-plan of the Village of East Hampton at the Parrish Art Museum.

East Hampton Village Fun Map .jpg

On August 31, the MB Arch team will present our summer-long research, design and vision-planning of the Village of East Hampton.

We set out to respect and extend the village-ness of East Hampton by proposing a variety of small “moves”: a new pedestrian connection here, optimizing relationships between active, passive, and circulation spaces in a park there, gathering civic functions on the right corner… Any one proposition is a practical and feasible enhancement; over time, they will add up to the right fabric– congenial, eclectic, human in scale. Every time we take one step forward it’s with a whole idea in mind, towards what East Hampton wanted to be in the first place.

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Maziar Behrooz Maziar Behrooz

A Note on My First House

The first house I built in East Hampton was long before the words 'sustainability' or 'green' were in our common vernacular. In fact with less than a handful of exceptions every house or building on the East End of Long Island was designed in a variation, often deformation, of the 'Shingle Style' [click this to read about the Shingle Style]. Modernism on the East End, while vibrant, experimental and profoundly captivating in the 60s and 70s, was hardly to be seen in the 90s. Developers, homeowners, realtors, with a unified front, wanted everything shingled. It was in this environment that I opened the office in East Hampton and began from the start to re-envision how a house could be designed or built.

I built my first house in East Hampton long before the words "sustainability" or "green" were common vernacular. In fact with less than a handful of exceptions every house or building on the East End of Long Island was designed in a variation, often deformation, of the 'Shingle Style' [click this to read about the Shingle Style]. Modernism on the East End, while vibrant, experimental and profoundly captivating in the 60s and 70s, was hardly to be seen in the 90s. Developers, homeowners, realtors, with a unified front, wanted everything shingled. It was in this environment that I opened the office in East Hampton and began from the start to re-envision how a house could be designed or built.

I recall a developer who came to my office and after seeing my portfolio of more modern architecture, asked to see more 'traditional designs'. And I promptly referred him to the phone-book as nearly 30 out of the 33 architects practicing on the East End were already proficient designers of buildings that look old. I didn't see the need to be architect #34 in that line; but more, while I was enamored with the salt-boxes, the homes of Stanford White in Montauk, or some of the more common rambling gable-roofed houses of the past century, these were not the reasons I went to architecture school. So I stuck with what I liked to do and slowly, but with confidence, began to design my first house in Georgica on land that I purchased before the 'Hamptons' were referred to with one word.

The house in Georgica took its cues from the drawings, site plans and constructed buildings that the Shakers developed -with a simplicity that is hard to match. It consisted of two barn-like shapes and a flat-roofed bridge in between, with an interior that was open. It was a hybrid and as a design strategy it has become much more common than it was in those early days.

I've done many houses, buildings and other types of projects since then. While always maintaining a steady approach, I see that the public sentiment is now fully shifted to where I started. Everyone wants a 'modern' building now. Contractors and builders who reluctantly answered our calls many years ago, now call persistently to get in on the action.

We find ourselves in a good place; everyone has come around. But there is a problem. I'm already on to the next thing.

 

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Maziar Behrooz Maziar Behrooz

PULSE_RDMU

PULSE_RDMU, an audio/video piece by Matthew Biedrman & Alain Thibault (website) performed in the RDMU for the Parrish Museum, Southampton, NY.

Remaster edit of PULSE (2007) for projection inside Maziar Behrooz's RDMU. Screened as part of the Parrish Art Museum's 2012 "Road Show" (July 27, 2012) curated by Andrea Grover. PULSE was originally a totally live, visually improvised series of performance pieces that I collaborated on with Alain Thibault (2006-2007 and roughly 7 or 8 performances around the world at various festivals). We made a linear version for TeZ's Optofonica Capsule, and was subsequently released on Richard Chartier's LINE DVD label. GFX: Matthew Biederman Audio: Alain Thibault Original PULSE performance details: http://www.mbiederman.com/Pulse RDMU details: http://www.mbarchitecture.com/rapid-deploy-meditation-unit/ Optofonica Capsule: http://www.janisland.com/index.php?/projects/iframe/ Optofonica DVD: http://www.lineimprint.com/editions/dvd/line_041/

PULSE_RDMU, an audio/video piece by Matthew Biedrman & Alain Thibault (website) performed in the RDMU for the Parrish Museum, Southampton, NY.

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